(First published in the Nelson Mail and Manawatu Standard, June 19.)
ANYONE who watches much television is familiar with that
stereotypical character, the idiot Dad.
It’s hard to pinpoint his exact origins, but the chief
suspect would have to be Archie Bunker from All
in the Family.
Think back for a moment. Prior to AITF, television fathers were generally presented sympathetically.
In The Andy Griffith
Show, the title character was a caring, eminently sensible widower doing
his best to bring up his only son while keeping the peace in small-town
Mayberry.
Ditto My Three Sons,
in which Fred MacMurray played a wise, kindly father serenely coping with the
chaos of raising three teenage boys.
In Gentle Ben, Dad
was a wildlife ranger who always seemed in control of things. In The Waltons, John Walton was honest,
courageous and hard-working. In The Brady Bunch, Mike Brady was a
respected architect and a man of integrity. In The Beverly Hillbillies, Jed Clampett was loyal and affable. And so
on, and so on.
Those popular series idealised fatherhood and
family life, just as they idealised most things about America. Fathers rose to whatever
challenge the scriptwriters threw at them and everything was neatly resolved by
the closing credits.
Even when the main male character was flawed, as in the case
of Darrin in Bewitched or Herman
Munster in The Munsters, they were
portrayed affectionately. Darrin was anxious and gullible; Herman was a
loveable buffoon.
In virtually all the above programmes, the wife and mother –
if there was one – was sensible and kind-hearted. A rare exception was I Love Lucy, in which the title
character, played by Lucille Ball, was ditzy and accident-prone.
But All in the Family
shattered the old template. Archie, the central character, was ignorant,
bigoted, abusive and selfish.
The scriptwriters highlighted these unappealing
characteristics by playing him off against his wife Edith, who was everything
Archie wasn’t: patient, loyal, kind, non-judgmental and wise, in her own way.
Television husbands and fathers would never be quite the
same again. Thereafter, the idiot Dad became something of a cliché.
One of the few exceptions was Cliff Huxtable in The Cosby Show, who represented a return
to the norm of the 1960s. Huxtable, played by black comedian Bill Cosby, was
eccentric but kind, well-respected and a dedicated father. I suspect the
producers didn’t dare portray him in an unsympathetic light because to have
done so would have been to invite accusations of racism.
The Cosby Show
aside, leading male figures in domestic comedies in the post-Archie Bunker era generally
seemed to be presented as objects of ridicule.
This was in marked contrast to a slew of programmes,
starting with The Mary Tyler Moore Show,
featuring leading female characters who were invariably smart, resourceful and
courageously making their way in an often unsympathetic world. (Later examples
included One Day at a Time and Alice.)
Think about it. How many domestic comedies can you think of
in which the central male figure was not vain, stupid, vulgar or hopeless?
Homer Simpson, of course, is the gold standard. Homer is
lazy, dishonest, reckless, greedy and self-centred. And what’s particularly
interesting about The Simpsons is
that the gender stereotyping extends to other members of the Simpson family.
Marge Simpson is patient, kindly, loyal and eager to do the
right thing – a little like Edith Bunker, in other words. Her daughter Lisa is
the smartest, most clear-eyed character in Springfield. But Bart Simpson is a
little horror: rebellious, mischievous and calculating (not for nothing was he
given a name that’s an anagram for “brat”).
Let’s look at a few other examples. In Home Improvement, Tim “the Tool Man” Taylor, while harmless enough,
was accident-prone and a know-all. His wife Jill, of course, was a voice of
reason.
In Everybody Loves
Raymond, the family patriarch was crude, stubborn, abusive and downright
contrary – in other words, a little like Archie Bunker, even down to his
armchair. A redeeming feature is that his manipulative wife wasn’t much more
likeable.
In Married … With
Children, Al Bundy was a loser and a slob who worked in a down-market shoe
store and was perpetually in debt. There was a running gag about him smelling
bad and spending a lot of time in the toilet.
A somewhat balancing factor in this show, too, was the fact
that his lazy, scornful wife wasn’t much better.
A similarly dysfunctional family featured in Malcolm in the Middle. Again, the
husband and father was a no-hoper – inept, cowardly and usually looking for the
easy way out. The wife and mother, though crazy like everyone else, was the
strong one in the family.
Then there’s Alan Harper in Two and a Half Men: spineless, neurotic and a generally pathetic
father to his slob of a son.
Don’t get me wrong. I watched all these shows and enjoyed
them, at least until they suffered the inevitable American fate of carrying on
long after they had passed their use-by date.
After all, they are comedies that depend on absurdity for
their humour. No one expects them to mirror real life.
Yet you can’t help but wonder why, for several decades now,
there has been a consistent pattern of fathers and husbands being portrayed as
no-hopers while their wives, almost invariably, are generally shown as noble
and virtuous. This is as much a misrepresentation of the real world as those idealistic 1960s shows were.
We probably all know families in which the husband doesn’t
pull his weight and it’s left to the wife to ensure that the household
functions smoothly. Certainly that’s far more often the case than the reverse.
But I also frequently see conscientious, caring husbands and
fathers of the current generation sharing the burdens of parenthood – cooking,
doing the washing, carting the kids around – in ways that most men of my age
would have considered beneath their dignity. It’s neither accurate nor fair to
suggest that the male of the household is a waste of space.
Certainly the British parenting organisation Netmums isn’t
happy with the way Dads and husbands are portrayed on television. In a recent online poll, Netmums found that 90
per cent of parents objected to the “casual contempt” with which fathers are
depicted.
It’s not an issue that keeps me awake at night, but I can’t
help wondering whether TV producers would get away with portraying wives and
mothers so negatively. I suspect not.