Everyone has seen the picture of South Vietnamese police
chief Nguyen Ngoc Loan summarily executing a Vietcong prisoner in the streets
of Saigon during the 1968 Tet offensive. It’s one of two photos that became
emblematic of the Vietnam War, the other being Associated Press photographer
Nick Ut’s shot of the naked nine-year-old girl Phan Thi Kim Phuc fleeing with other children after being burned in a napalm attack.
Pictures like these helped turn American public opinion
against the war. The execution of Nguyen Van Lem, especially, looked like a
callous and casually sadistic act. It’s hard to look at the picture without
wincing. It conveys almost viscerally the impact of a pistol shot at virtual
point-blank range. Americans seeing it wondered, understandably, whether the
American military should be propping up a regime that permitted such barbarism.
The impression given in the accompanying news stories at the
time, and repeated over and over again since, was that Lem was merely a Vietcong
suspect. But what wasn’t made clear, and is still little known, is that there
was a back-story to the picture which revealed that the barbarism in Vietnam wasn’t
one-sided. I learned of it while reading Max Hastings’ exhaustively researched book Vietnam: An Epic Tragedy 1945-1975,
which I started months ago and recently picked up again, determined this time
to finish it.
According to Hastings, Lem, who led one of the many groups of
Vietcong insurgents that infiltrated Saigon at the start of the Tet offensive, had
earlier slit the throats of a captured South Vietnamese army officer, Nguyen Tuan, his wife, six children and 80-year-old
mother.
It was Lem’s misfortune that he was subsequently caught and brought before Loan, who administered immediate retribution. Hastings, who
is admirably even-handed in his acknowledgment of atrocities by all participants
in the war, flatly asserts that “the murders committed by [Lem], who was
dressed in civilian clothes [so was not covered by the Geneva Convention], justified
his execution”.
Hastings also reveals that Eddie Adams, the AP photographer
who won a Pulitzer Prize for the picture, regretted that its publication caused
enormous harm to the image of the South Vietnamese (and Americans), and
lamented that he couldn’t also get a picture of Lem cold-bloodedly murdering
the Tuan family.
Hastings’ account certainly casts the execution in an entirely new
light. As he told me when I interviewed him about his book for The Listener:
"Everyone has seen the pictures of the South Vietnamese monk burning himself in the street; everyone's seen the picture of the South Vietnamese police chief shooting dead a Vietcong prisoner; everyone's seen the picture of the naked girl running for safety after being caught in a napalm strike. But no one sees pictures of all the ghastly things that the communists did to their own people, because the pictures don't exist." Quite so.
"Everyone has seen the pictures of the South Vietnamese monk burning himself in the street; everyone's seen the picture of the South Vietnamese police chief shooting dead a Vietcong prisoner; everyone's seen the picture of the naked girl running for safety after being caught in a napalm strike. But no one sees pictures of all the ghastly things that the communists did to their own people, because the pictures don't exist." Quite so.